Guide Rule 35(An Eye for An Eye!)

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9 Photo Composition Rules (and When to Break Them)

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So, how can you ensure each image meets those standards and has great composition? Here are a few, basic rules to do so, and a few reasons when it is okay to break some of those rules. Chances are you are already familiar with this term. It was the first photo composition rule I learned when I started my studies. Here is a screenshot in Lightroom to help you visualize what it means to use the Rule of Thirds in your photo composition.

The idea is to place your subject at one of the four intersections on the grid. It has been shown that viewers' eyes are more drawn to subjects in those areas, creating a more pleasing image to view. Click on the link above a for a fantastic in-depth guide to using the Rule of Thirds. The Golden Ratio is very similar to the Rule of Thirds, however, the lines are a bit narrower. You can see that instead of the nine equal rectangles in the ROT, the middle rectangles in the Golden Ratio grid are smaller.

The idea is to still place your subject at the intersections.

Photo Composition Rules

This happens to be my most natural way to compose my images. Technically, it is based in some serious mathematics which goes WAAY over my head. Essentially, the spiral covers the area of interest while the remainder of the image is background.

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Sidenote: To view each of these crop overlays in Lightroom , you need to first have the crop tool selected. You can press the O key to rotate through all the overlays. You can also press Shift O to rotate that overlay on the image. When preparing to take a shot, it is always so much easier make your subject stand out from the background if the background is simple and clean. I love this spot in my backyard because it is evenly lit and clean from distractions. Trust me, it is much easier to start with a clean background than to clone out the distractions in post processing.

One of my favorite ways to get creative is to find different ways to frame my subject. Whether I shoot through tree branches, window frames, or in this case my son's new bicycle, finding ways to isolate my subject by framing them helps tell the story behind the image. And because I said I would share how you can break rules, this particular image breaks plenty of rules!

First, the subject is in the center of the frame which according to the first three rules mentioned in the article is a big no no. Also, if you would have seen it in color you could tell the background was anything but clean and simple. This is one of the big reasons why I love being able to convert images to black and white. Images like this show instances when the story of the image is more important than the technical composition. The lines on this deck lead the viewer right to the family. And keep in mind, the lines do not have to be actual lines. They can be a row of trees, buildings, or even ants following one another.

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As long as the "line" leads you to the subject, that is what makes this rule of composition work. And since we are on the topic of lines, one of the most important aspects in every image should be to keep your horizon line straight! In nature, the horizon is a flat, straight line where the sky and earth meet. No actual horizon in your image? This rule still applies. Trees do not grow diagonally out of the ground. You need to keep the horizon straight in your image. Having a diagonal horizon line is a composition rule that should never be broken! To be honest, I tend to shoot a lot of my images further back. As a documentary style photographe r, it's my instinct to take pictures that include the entire scene.

It was actually my mother who encouraged me a few years back to get closer in for some shots. I now love filling my frame.